The official logo of the London 2012 Olympic games is turning five next year. Like most growing children, this logo’s naturally developed affinity for trouble-making is the defining characteristic that we’ve come to love as proud global guardians of the Olympic identity.
The initial reports, post unveiling ceremony, were scathing and unkind. Blogs and their readers were quick to pan the logo and spew hate at Wolf Ollins, the agency involved in it’s creation. Elbowruminations was also on the scene back in 2007 covering the hype. Kevan defined the logo nicely with a simple equation: Inukshuk + 1989 = the logo.
With the Games quickly approach, has this $840,000 investment appreciated in value since it’s rocky introduction as an epileptic trigger and most recently, a zionist symbol and a sure sign of a pending alien invasion.
I am tempted to say yes.
Not because it’s nice but because it’s still horrible and horrible is what we want.
Remember 2007? It was boring and so were we. Entertainment was defined by the ipod clickwheel! The design inspiration for the year – 2007 was at the height full of swooshy istock swirls. Ack! Just look at us now. We don’t even press buttons anymore. Fashion has no rules. In fact, dressing up in old clothes with huge out-dated glasses is the height of hipster fashion.
If you ask me, as gaudy as the logo appeared five years ago, I think we’ll be ready for it. With Arab Spring in full swing and the “no reason riots” in Vancouver and England complete, people are tired of behaving properly and following boring rules.
As we have learned, violence causes unwanted destruction and pain – which is inconvenient. We need something less violent to break us out of this deep rut of political and economical dissatisfaction. What better way to express our discontent than through awful design. This logo does not conform to any laws. It remains physically unwilling to bend to any social norms. It’s belligerent, unashamed, narcissistic and itching for a screaming match with a person of authority.
It seems like that’s how we feel these days.
Which is why we have the perfect logo for London 2012.
Thank you, Wolf Ollins. You know us so well.